Star child evolution in 2001 :: essays research papers

The Evolution of the Star-ChildFilm both reflects and creates social stopping point. Indeed, a shoot indicates social trends, presents ideas, and analyzes history for its contemporary time period thus, by viewing a select it becomes possible to infer and make judgments close to a societys farming. The filmmakers message is embedded within the plot and symbolism, and filmmakers often review social culture through their movies. It is possible to view the growth of culture through the progression of films over time.Religious films in the pre-1968 era appropriate themselves as literal interpretations of the Old and New Testaments. America, in this era, held religion as central to everyday life. DeMilles King of Kings and similar movies that follow in constellation support this inference. Consider the context of DeMilles 1932 movies, Sign of the Cross. Depression and the great dustbowl were trite across America. The masses embraced religion and this is evident in the literal w ord of honor story films. Additionally, the righteous people in the films represented the working course people of America, and the blasphemers represented the elite minority. They were usually powerful, corrupt, and sometimes Jewish. American culture has evolved as technology has advanced. In 1968, the paradigm of religion in film shifted with the release of Kubricks 2001 A Space Odyssey. Rebellion, social activism, drugs, sex and most importantly, technology, rule social culture. Kubricks film challenges all previous religious film movies, even this epic movie contains powerful symbols that reflect the changes in social thought. therefrom far, evolution of movies and culture has been discussed. 2001 A Space Odyssey is interesting because Kubrick realizes this concept of ethnical evolution. Thus, he created his movie to embody this concept and humanityifest itself in man as a physical being. The underlying theme of Kubricks movie is evolution the progression of monkeys to huma ns, humans to machines (HAL), machines to the star-child. That 2001 concedes to evolution validates science and technology, while it detracts from religion. Thus, this slow paced film indicates the inevitable evolution of all things. The star-child, spurred by the monolith, represents the destiny of humans as they evolve with technology.The monkeys loose their innocence and become corrupted when the monolith presents itself. This is because the monolith prompts the monkeys to explore ship canal in which odds and ends in nature may be employ in other words, the monkeys develop tools. The monolith is not a deity in the sense that it is a physical creator.